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I will preface my comments by saying that I have no expectation of ever selling my fiction in a way that would lead to a movie (live or animated) or, heavens forfend, a children's cartoon series. All too often, fantasy stories end up that way.
Having said that, the actual writer of a novel that becomes something more in another medium will have very limited income realization even though it is the author's "baby." To make that transition to another medium, the author usually must sell the rights. Which usually means, in turn, that the author's creative control is gone and the characters become warped beyond belief.
The ruthless production teams of Hollywood and other big screen producers will first try to write out the original author by giving a pitiful lump sum, or (worse) offering a percentage point or two of the profits - after which they will warp the idea into something almost unrecognizable when compared to the original work. BUT by the time they plow through a ton of money, you would have to have a frickin' blockbuster movie or a cult classic with some longevity to its popularity for the movie's profits to go above zero. In the mean-time, the producers and actors get paid, the set workers behind-the-scenes get paid (which they should...), the special-effects companies get paid, but those folks who took the "percentage" option usually get very little.
For that reason, "copyright" and "intellectual property" issues somehow don't appear to actually protect anything anyway.
Having said that, the actual writer of a novel that becomes something more in another medium will have very limited income realization even though it is the author's "baby." To make that transition to another medium, the author usually must sell the rights. Which usually means, in turn, that the author's creative control is gone and the characters become warped beyond belief.
The ruthless production teams of Hollywood and other big screen producers will first try to write out the original author by giving a pitiful lump sum, or (worse) offering a percentage point or two of the profits - after which they will warp the idea into something almost unrecognizable when compared to the original work. BUT by the time they plow through a ton of money, you would have to have a frickin' blockbuster movie or a cult classic with some longevity to its popularity for the movie's profits to go above zero. In the mean-time, the producers and actors get paid, the set workers behind-the-scenes get paid (which they should...), the special-effects companies get paid, but those folks who took the "percentage" option usually get very little.
For that reason, "copyright" and "intellectual property" issues somehow don't appear to actually protect anything anyway.